{"id":37720,"date":"2026-01-13T18:42:25","date_gmt":"2026-01-13T17:42:25","guid":{"rendered":"https:\/\/www.staffedit.it\/living-the-outdoor\/"},"modified":"2026-01-13T18:50:01","modified_gmt":"2026-01-13T17:50:01","slug":"living-the-outdoor","status":"publish","type":"post","link":"https:\/\/www.staffedit.it\/en\/living-the-outdoor\/","title":{"rendered":"Living the outdoor"},"content":{"rendered":"<p><span style=\"font-size: 14pt;\"><strong>Why not use the golden ratio in lighting design as well?<\/strong><\/span><\/p>\n<h2><strong>\u00a0<\/strong><\/h2>\n<h2><strong>minimum Maximum: f<\/strong><strong>rom the Golden Ratio to Contemporary Light<\/strong><\/h2>\n<p>The perception and use of the <strong>golden ratio<\/strong> have always been a fundamental reference in design. Present in nature and reinterpreted by great Renaissance masters such as <strong>Leonardo Da Vinci<\/strong>, it has influenced artists and architects in creating works based on <strong>harmonious and universally recognized proportions<\/strong>. Lighting can also reflect these principles: observing different cultures around the world, it emerges that <strong>Western aesthetics<\/strong> often favor <strong>orthogonal forms<\/strong>, while <strong>Eastern aesthetics<\/strong> frequently express themselves through <strong>logarithmic geometries<\/strong>. Despite their differences, both respect the <strong>\u201cPhi\u201d ratio<\/strong>, demonstrating how the harmony of forms is a <strong>shared language<\/strong>.<\/p>\n<p>The <strong>minimum Maximum<\/strong> family was born from this vision, offering lighting solutions capable of interacting with spaces and architectures through a balance of <strong>proportions, modularity, and formal coherence<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Light25 London: a New Evolution of the Range<\/strong><\/h2>\n<p>Participation in the <strong>Light25 London<\/strong> exhibition marked a significant moment for <a href=\"https:\/\/www.staffedit.it\/en\/tag\/light-at-motion-en\/\" target=\"_blank\" rel=\"noopener\"><strong>Light At Motion<\/strong><\/a>, showcasing the company\u2019s new design directions. On this occasion, the company introduced, in an <strong>international premiere<\/strong>, two important developments in the <strong>minimum Maximum<\/strong> family: <strong>EVO<\/strong> and <strong>FACADE<\/strong>.<\/p>\n<p>The new <strong>minimum Maximum EVO<\/strong> represents the evolution of the ground-mounted fixture, redesigned in terms of <strong>materials and performance<\/strong> to ensure greater <strong>durability and versatility<\/strong>. Thanks to these improvements, EVO integrates seamlessly into various <a href=\"https:\/\/www.staffedit.it\/en\/tag\/architectural-lighting-en\/\" target=\"_blank\" rel=\"noopener\">architectural contexts<\/a>, offering <strong>reliable and uniform lighting solutions<\/strong>. The <strong>minimum Maximum FACADE<\/strong> expands the range with a LED model dedicated to <strong>facades<\/strong>, designed to enhance architectural elevations in both interior and <a href=\"https:\/\/www.staffedit.it\/en\/tag\/outdoor-lighting\/\" target=\"_blank\" rel=\"noopener\">exterior<\/a> contexts while ensuring <strong>visual and luminous continuity from ground installations to vertical surfaces<\/strong>. Thanks to its robustness and architecture-integrated design, FACADE delivers <strong>consistent performance and uniform light<\/strong> over time.<\/p>\n<p>With EVO and FACADE, the minimum Maximum family broadens its application possibilities, confirming the company\u2019s commitment to providing professional tools that interact with architecture in an increasingly integrated and contemporary way.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>minimum Maximum EVO<\/strong><\/h3>\n<p><strong>minimum Maximum EVO<\/strong> represents the evolution of the ground-mounted fixture, redesigned to ensure greater <strong>durability and versatility<\/strong>. Key improvements include <strong>polyurethane resin coating<\/strong> for full protection against atmospheric agents, while the <strong>updated light diffusion system<\/strong> provides <strong>completely uniform illumination without edges<\/strong>.<\/p>\n<p>The <strong>diffuser<\/strong> is made of <strong>tempered and laminated glass<\/strong>, also available in <strong>anti-slip version<\/strong>, with additional color options including <strong>satin bronze, satin smoke, and glossy black<\/strong>, allowing the fixture to adapt to a wide range of architectural contexts and design scenarios.<\/p>\n<p>Thanks to these features, the product is particularly suitable for <strong>pedestrian and vehicular pavements<\/strong>, <strong>public spaces<\/strong>, <strong>pathways<\/strong>, and <strong>high-traffic areas<\/strong>. The <strong>monocolor, tunable white, and RGBW<\/strong> versions offer extensive design freedom, from <strong>functional wayfinding<\/strong> to more <strong>complex lighting scenographies<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>minimum Maximum FACADE<\/strong><\/h3>\n<p>The new <strong>minimum Maximum FACADE<\/strong> expands the range with a model dedicated to <strong>facades<\/strong>, designed to enhance architectural elevations in both interior and exterior contexts while ensuring <strong>visual and luminous continuity from ground installations to vertical surfaces<\/strong>.<\/p>\n<p>The body in <strong>anodized aluminum<\/strong> and the <strong>opal plexiglass diffuser<\/strong> ensure <strong>uniform and stable light<\/strong>, while the <strong>polyurethane resin coating<\/strong> provides full protection against atmospheric agents and harsh environments.<\/p>\n<p>Thanks to these characteristics, FACADE is particularly suitable for <strong>facades<\/strong>, <strong>architectural volumes<\/strong>, <strong>entrances<\/strong>, and <strong>vertical pathways<\/strong>, offering <strong>reliable and long-lasting lighting solutions<\/strong>. The <strong>monocolor, tunable white, and RGBW<\/strong> versions allow the creation of <strong>lighting atmospheres coherent with the building\u2019s identity<\/strong>, maintaining <strong>design continuity<\/strong> with EVO ground installations.<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Light At Motion: Strategic Partner for Architecture and Lighting Design<\/strong><\/h2>\n<p><strong>Light At Motion<\/strong> continues to stand out for its <strong>collaborative approach<\/strong> with <strong>architects, lighting designers, and industry professionals<\/strong>, providing solutions that combine <strong>design, reliability, and innovation<\/strong>.<\/p>\n<p>Participation in <strong>Light25 London<\/strong> represented a strategic opportunity to <strong>strengthen relationships with international partners<\/strong> and establish <strong>new collaborations<\/strong>, expanding the company\u2019s professional network and reinforcing its <strong>global presence<\/strong>.<\/p>\n<p>The <strong>LAM32<\/strong> and <strong>Minimum Maximum<\/strong> brands confirm Light At Motion\u2019s role today as an <strong>international reference point<\/strong> for those seeking fixtures capable of <strong>integrating seamlessly into contemporary architecture with quality, coherence, and consistent performance<\/strong>. With a global vision and ongoing dialogue with designers, the company continues to carry out projects that <strong>interpret spaces, enhance environments, and transform light into a creative and functional tool<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.lightatmotion.com\/en\/\" target=\"_blank\" rel=\"noopener\"><strong>Light At Motion<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Why not use the golden ratio in lighting design as well? \u00a0 minimum Maximum: from the Golden Ratio to Contemporary Light The perception and use of the golden ratio have always been a fundamental reference in design. Present in nature and reinterpreted by great Renaissance masters such as Leonardo Da Vinci, it has influenced artists [&hellip;]<\/p>\n","protected":false},"author":27,"featured_media":37714,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[24],"tags":[1705,1707,2379],"class_list":["post-37720","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-led-special","tag-technical-lighting-en","tag-architectural-lighting-en","tag-light-at-motion-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Living the outdoor - Staff Editoriale<\/title>\n<meta name=\"description\" content=\"Light At Motion: a reference point for integrating seamlessly into contemporary architecture with quality, coherence, and consistent performance.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.staffedit.it\/en\/living-the-outdoor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Living the outdoor - 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